Sunday, July 5, 2009

BD impressions: My Bloody Valentine 3D

2:35 PM / BD Impressions / Comments8 Comments

BD Impressions
Blu-ray

My good friend the Baron informs me that the original My Bloody Valentine has the reputation of being one of the better examples of the 80s slasher cycle. This could well be the case, but conversely the 2009 remake is one of the worst examples of the 00s revival of said sub-genre. I suspect that the soul purpose of this limp, lazy remake was to play around with digital cameras and show off the 3D effects upon which virtually every shot hinges. At least, I'm assuming this to be the case because there really is absolutely nothing else of any note to be found in this clumsy and pointless film, chock full of bad acting, dreadful dialogue, non-existent characterisation, inept camerawork and clumsily staged action.

I know what you're going to say: "This wasn't meant to be the next Citizen Kane/The Godfather/Profondo rosso (delete as appropriate) - just check your brain in at the door and enjoy the fun." Personally, I think I'm more than capable of switching off my brain and lapping up some mindless entertainment, provided there's actually entertainment to be had. My Bloody Valentine 3D, however, is about as entertaining as getting a root canal, and that's whether you're watching it in 2D or 3D. At least, though, the 2D version is unlikely to make you feel like throwing up: personally, I was able to stomach about five minutes of the 3D edition before switching back to the normal "flat" variant. Whereas theatrical screenings of the film in 3D used special projectors and 3D glasses to create the three-dimensional effect in full colour, those watching it at home with their regular displays and the cheap cardboard shades that come in the box are restricted to hues of green and purple, which frankly looks awful and induces eye strain and headaches.

And it's not as if the much-vaunted 3D effect is remotely convincing. Rather than giving any true semblance of depth, all that happens is that different objects or characters on the screen stick out like a children's pop-up picture book. Ironically, the "flat" version has more of a sense of depth than its 3D counterpart, since it makes use of the typical cinematic conventions for signifying depth and distance, namely focus pulling and the usual depth of field tricks. I'm not about to write off the notion of 3D completely on the basis of one film, and would definitely like to experience the gimmick in a theatrical environment with the film's full colour palette to get a better idea of what the results are like, but frankly, if the cheap-looking 3D effects on display in My Bloody Valentine are the best the technology is capable of, I struggle to see the fad lasting very long.

As Roger Ebert puts it:

I will say this first and get it out of the way: 3-D is a distraction and an annoyance. Younger moviegoers may think they like it because they've been told to, and picture quality is usually far from their minds. But for anyone who would just like to be left alone to see the darned thing, like me, it's a constant nudge in the ribs saying never mind the story, just see how neat I look.

I disagree with Ebert on one count: I don't think the effects even look neat. Other than that, I suspect he's right on the money.

Finally getting on to the video quality of this BD release, and to be honest it's a bit of a mixed bag. The film was shot using the much-vaunted Red One digital camera, and the result is every inch your typical digital production - murky, low contrast, artificial-looking - with the addition of an inordinate amount of motion blur that gives the whole thing the look of interlaced video, despite the fact that the film is encoded at 1080p24. I'm afraid I'm not up to scratch on the technical side of the Red camera, so I've no idea whether the filmmakers did something wrong or this is simply how material shot with this camera looks. The blacks are also noticeably elevated, a problem which seems to affect an inordinate number of digital productions. Either way, it looks cheap and ugly, like a highly detailed version of one of those daytime TV soap operas - you know, the boring, ugly ones with the flat, gloomy lighting. As such, the BD is probably a fairly accurate representation of the source material, besides some compression artefacts and what looks like ringing resulting from low pass filtering (Example 1 ably demonstrates both these problems). On the plus side, the colour fringing so often associated with digital photography is relatively unobtrusive. Still, it's an underwhelming-looking image overall, but I suspect that even the best BD in the world couldn't have made the film look significantly better than it does here. 7/10

By the way, both both versions - 2D and 3D - take up exactly the same amount of space (18.5 GB) and have the same bit rate (26.24 Mbps).

My Bloody Valentine 3D
studio: Lions Gate; country: UK; region code: ABC; codec: AVC;
file size: 18.5 GB; average bit rate (including audio): 26.24 Mbit/sec

My Bloody Valentine 3D My Bloody Valentine 3D My Bloody Valentine 3D My Bloody Valentine 3D My Bloody Valentine 3D My Bloody Valentine 3D My Bloody Valentine 3D My Bloody Valentine 3D My Bloody Valentine 3D My Bloody Valentine 3D My Bloody Valentine 3D My Bloody Valentine 3D My Bloody Valentine 3D My Bloody Valentine 3D My Bloody Valentine 3D

And, just for good measure, here are some shots from the 3D version:

My Bloody Valentine 3D My Bloody Valentine 3D My Bloody Valentine 3D

 
8 Comments

1. Kram Sacul said:

Perhaps They should've went the Planet Terror route and dirtied up that image.

(Posted on Sunday, July 5, 2009 at 9:37 PM)

2. Author Profile Page Michael said:

I honestly doubt that would have made much (if any) difference. The biggest problem by far is not the cleanness of the image but the movement which, now that I think about it, look a lot like those cheesy 100 Hz/120 Hz motion interpolation effects you can enable on a lot of modern TVs. I suppose it's the sort of thing we can expect to see more of if that loon James Cameron has any success foisting his 48 fps pipe dream on us.

(Posted on Monday, July 6, 2009 at 12:33 PM)

3. FoxyMulder said:

Well not much i can say other than i liked the 3D effects but felt the actual script could have been better.

I guess it all depends on the person as you are not the first person who has said they get a headache from watching with these glasses on. My sister said something similar but my mum was fine with them as was i .

(Posted on Monday, July 6, 2009 at 9:55 PM)

4. Steini said:

The only 3D movie i saw was Sky Kids 3D which had those color-tinted glasses. Do those new clear glasses have different 3D effects or is it just the same but with more color?

(Posted on Monday, July 6, 2009 at 10:22 PM)

5. Poster said:

I'm suspecting you haven't seen any newer 3D movies in the theater if you think they look anything like the anaglyph transfer they offer on this, and other similar Blu Ray discs? They are not like that all all, newer movies use polarized glasses which don't have any significant artifacting to speak of, other than some color desaturation. If you're lucky enough you might run into one of the theaters that even have LCD shutter glasses which offer pretty much perfect image quality, with no desaturation even. Here in US and Canada, Polarized 3D capable theaters are everywhere, so I've been able to see a few movies. While I can't say all of them have astounded me with their 3D visuals, they have been nice enough to see in that projection - that especially holds true for Coraline, which is one movie I'm really happy to have seen in 3D, as they really made the best of it. On the other hand, 3D in Up was an afterthought, and I think I'd have preferred to see it in 2D for better color saturation. I don't hold that against Up of course, as it's a great movie, but it goes to show that when movie makers put their minds into making an effective 3D, it can really leave a lasting impression, so I can't wait to see what james Cameron has in store. I cannot stress enough how believably world of Coraline comes to life in many of its scenes, no matter how simple of complex they were.

As for Ebert's comment, like a lot of what he's been saying lately, it sounds a bit like an old man's rant from peanut gallery, and in this case sounds like critics of their time complaining about 'talkie' movies ("Just let me imagine actors speaking", sounds awfully like Ebert's "Just let me imagine the depth")

(Posted on Tuesday, July 7, 2009 at 5:14 AM)

6. Kram Sacul said:

I'm a great fan of Ebert but his thoughts on 3D have been pretty goofy. Of course it's a gimmick, just like widescreen, surround sound, 70mm, etc. For every Coraline which had carefully thought out depth there's going to be 10 of these movies which just throw stuff at you.

(Posted on Tuesday, July 7, 2009 at 6:43 AM)

Wait 'til you see Public Enemies (if you're interested).
The movie was OK, but most of it looks like shite (particularly the night shots).

(Posted on Wednesday, July 8, 2009 at 2:08 AM)

8. Author Profile Page Michael said:

I'm not much of a Michael Mann fan, so Public Enemies isn't really a priority for me, but I'll probably catch it eventually. Someone who did see it described it to me as almost looking like a camcorded bootleg.

(Posted on Wednesday, July 8, 2009 at 9:58 AM)

 
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