Individual Entry
Land of Whimsy / news / Individual Entry
Friday, February 4, 2011
BD impressions: The Social Network
2:55 PM / BD Impressions /
10 Comments
The film: I purposefully avoided writing this post until after the release of Movie Matters Episode 5, because otherwise it would have been blatantly obvious what my personal number one film of 2010 was. That film is indeed THE SOCIAL NETWORK, pipping TOY STORY 3 to the post at the last minute and a welcome return to form for David Fincher after the toe-curling THE CURIOUS CASE OF BENJAMIN BUTTON.
Someone (I forget who) recently wrote (I forget where) that Fincher is in his element when he gets to indulge his misanthropic side, which I suspect is why, for me, BENJAMIN BUTTON was such a disappointment: it was sickeningly sentimental and an incredibly ill fit for the director of SE7EN and FIGHT CLUB. Happily, THE SOCIAL NETWORK finds him back in his old stomping ground, aided by Aaron Sorkin's biting and frequently hilarious script about the man who created the world's most popular social network but in the process found himself with no friends. There has been a lot of debate as to the authenticity of the film's depiction of Mark Zuckerberg and the creation of Facebook, but I can't say it worries me unduly. If THE SOCIAL NETWORK was a complete work of fiction it would be no less brilliant than it is: a riveting two-hour account of the creation of a web site... except it's about a lot more than that, and it's in the film's exploration of loneliness and betrayal that its real strengths lie. Fincher has more than redeemed himself after the blip that was his previous film, and I now await his take on THE GIRL WITH THE DRAGON TATTOO with some anticipation (which is quite an achievement, given that I'm still not sure it's a film that has any valid reason to exist). 10/10
Image quality: Fincher continues down his post-PANIC ROOM digital path, and the resulting image is on some occasions brilliant but on others slightly disappointing. Close-ups are often highly detailed, but wider shots tend to suffer, with less detail than I would have expected and some noticeable ringing. 7/10
The Social Network
studio: Sony Pictures; country: USA; region code: A;
codec: AVC; aspect ratio: 2.39:1
10 Comments
To combat spam, commenting is automatically disabled on entries older than 30 days.
Did a comment you tried to post accidentally get eaten by the spam filter? It happens from time to time. I get upwards of 200 spam comments every day and unfortunately don't have the time to weed through all of them in case something genuine ended up there by mistake. If one of your posts gets incorrectly flagged as spam, email me at m.r.mackenzie[at]gmail[dot]com and I'll do my best to retrieve it.
Archives
- February 2012
- January 2012
- December 2011
- November 2011
- October 2011
- September 2011
- August 2011
- July 2011
- June 2011
- May 2011
- April 2011
- March 2011
- February 2011
- January 2011
- December 2010
- November 2010
- October 2010
- September 2010
- August 2010
- July 2010
- June 2010
- May 2010
- April 2010
- March 2010
- February 2010
- January 2010
- December 2009
- November 2009
- October 2009
- September 2009
- August 2009
- July 2009
- June 2009
- News Archive Index
Categories
- Animation
- BD Impressions
- Blu-ray
- Books
- Cinema
- DVD
- Games
- General
- HD DVD
- Model Railways
- Music
- Podcast
- Reviews
- Technology
- Television
- Web




















1. Anonymous said:
Interestingly enough you should be able to compare to the other film you recently watched, Winter's Bone, both used the same camera and lenses, the only difference is the aspect ratio and possibly the lab used for the digital intermediate, the latter could potentially make a huge difference to the image.
Red One Camera, Zeiss Master Prime and Angenieux Optimo Lenses were used on both Winter's Bone and The Social Network.
(Posted on Friday, February 4, 2011 at 3:37 PM)