Sunday, March 16, 2008

Tragic Ceremony *½

Original title: Estratto dagli archivi segreti della polizia di una capitale european
Italy/Spain: Riccardo Freda, 1972

IMDB reference

 

Thursday, March 13, 2008

Across the Universe ****

USA: Julie Taymor, 2007

IMDB reference

 

Wednesday, March 12, 2008

(*) Freddy vs. Jason *½

USA: Ronny Yu, 2003

IMDB reference

 

Friday, March 7, 2008

(*) Red Eye ***½

USA: Wes Craven, 2005

IMDB reference

 

Tuesday, March 4, 2008

Juno ****

In reality, of course, getting knocked up is no laughing matter.

Above: In reality, of course, getting knocked up is no laughing matter.

USA/Canada: Jason Reitman, 2007

For some reason, it seemed as if everybody had seen Juno except me. This offbeat, heart-warming tale about unwanted pregnancy and surrogate parenting appeared out of nowhere, catapulting its star, Ellen Page, and its first-time screenwriter, the intriguingly named Diablo Cody, to centre stage. Of course, it didn't hurt that it bagged itself an Oscar for Best Original Screenplay. So, today, I had the opportunity to see it for myself and find out whether the hype was justified.

The answer, in reality, is probably "no". I wouldn't call it the greatest film of the last year by any stretch of the imagination, but, at the same time, it's hard to deny that I enjoyed it considerably. What I liked about this film is that, although superficially the plot is straight out of Movie of the Week territory, it does an admirable job of avoiding sentimentality or mawkishness.

Highlight below to reveal spoiler text:

There's never any danger that Juno will get all broody and decide she wants to keep the baby. Likewise we don't have to endure her wrestling with her consciousness as she decides whether or not to abort. She decides fairly quickly on her course of action and then never wavers from it. That's refreshing.

I can't say I was particularly enamoured by many of the characters, though. I found the script to be incredibly smug and, occasionally, verging on obnoxious, with the dialogue often sounding like an imitation of the sort of speech patterns that were to be found in Buffy the Vampire Slayer (and yes, it's true, everyone in this film more or less does speak with the same "voice"). The whole thing is a massive overdose of pop culture references and calculatedly "quirky" dialogue... oh, and I can only put Juno's summation that Herschell Gordon Lewis' The Wizard of Gore is a better film than Suspiria down to the assumption that being pregnant does strange things to your system. I'm still slightly amazed to hear the name of Dario Argento actually being spoken in a mainstream film, though.

I did enjoy it overall. I wouldn't class it as a masterpiece, but it's fun and at times quite amusing - one of the few feel-good films I can think of that doesn't make me want to go and throw up afterwards.

Oh yeah, and has anyone seen this video? I must confess it made me laugh more than the film itself. ("Oscar, I smell ya later!")

IMDB reference

 
More posts

15 entries